You need to choose options for product.
-
files/3b1ba913-a1f1-5c86-8588-2de7905b0c0c.jpg
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
- Regular price
- $29.99
Couldn't load pickup availability
Frequently Bought Together
-
Vendor: Pie International
100 Writing & Crafting Papers of Animals
Regular price $29.99 -
Vendor: Search Press
10 Step Drawing: Faces: Draw Over 50 Fabulous Faces in 10 Easy Steps does not ap
Regular price $16.99 -
Vendor: Wynne Conrad, Kellee
Mixed Media Color Studio: Explore Modern Color Theory to Create Unique Palettes
Regular price $27.99 -
Vendor: Astragal Press
Art of Coppersmithing: A Practical Treatise on Working Sheet Copper into All For
Regular price $33.99
Product Description
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
Customer Reviews
Similar Products
-
Vendor: Pie International
100 Writing & Crafting Papers of Animals
Regular price $29.99 -
Vendor: Search Press
10 Step Drawing: Faces: Draw Over 50 Fabulous Faces in 10 Easy Steps does not ap
Regular price $16.99 -
Vendor: Wynne Conrad, Kellee
Mixed Media Color Studio: Explore Modern Color Theory to Create Unique Palettes
Regular price $27.99 -
Vendor: Astragal Press
Art of Coppersmithing: A Practical Treatise on Working Sheet Copper into All For
Regular price $33.99
Customers also bought
Complementary products
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.