You need to choose options for product.
-
files/3b1ba913-a1f1-5c86-8588-2de7905b0c0c.jpg
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
- Regular price
- $29.95
Couldn't load pickup availability
Frequently Bought Together
-
Vendor: Reiter, Laura
A Beginner's Guide to Making Abstract Art Reiter, Laura
Regular price $29.95 -
Vendor: Seelig, Thomas
25 Years! Fotomuseum Winterthur: Shared Histories, Shared Stories: Fast Forward
Regular price $45.95 -
Vendor: Wilmans, Carlie
500 Capp Street: David Ireland's House Wilmans, Carlie
Regular price $29.95 -
Vendor: Dover Publications
2,100 Victorian Monograms
Regular price $12.95
Product Description
Title: Cornwall To Crete: The Landscape Series
Author: James, Nicholas
Publisher: CV Publications
Binding: Paperback
Pages: 80
Dimensions: 10.00h x 8.00w x 0.22d
Product Weight: 0.51 lbs.
Language: English
ISBN: 9781910110300
The thirty parts of The Landscape Series were developed in two phases: sixteen sets were made from February 2002 to June '03 and a further fourteen in February 2006 totalling some 1,500 panel paintings. The uniform size of a 30cm square panel grew from the idea of one painting being all painting, or one landscape becoming all landscapes.With gesso and emulsion, mounds and hollows were formed by sweeping and dividing poured paint, using cardboard strips cut from cartons.The panels were laid on a framed base board which also served as a container for pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out.Various factors steered the series: thoughts about load bearing pressures on a place, tracks and crossing points, air flow, water, spaces and intervals, the nature of settlement in the land. Offset corner marks in the panels from the cubes stood for a house, rounds for a moon. Titles were assigned later to the line of production. The identity of a place emerged not by literal description but as an equivalent found by coincidence in the passage of an abstract process.
Condition: New
Item# 9781910110300
Actual Book Cover May Vary
Authorized Dealer
Customer Reviews
Similar Products
-
Vendor: Reiter, Laura
A Beginner's Guide to Making Abstract Art Reiter, Laura
Regular price $29.95 -
Vendor: Seelig, Thomas
25 Years! Fotomuseum Winterthur: Shared Histories, Shared Stories: Fast Forward
Regular price $45.95 -
Vendor: Wilmans, Carlie
500 Capp Street: David Ireland's House Wilmans, Carlie
Regular price $29.95 -
Vendor: Dover Publications
2,100 Victorian Monograms
Regular price $12.95
Customers also bought
Complementary products
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.
-
ITEM BAR TITLE
Share shipping, delivery, policy information.