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files/3fb77d2b-f204-59a5-9fe6-e65cbdaf0e02.jpg
Title: The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840
Author: Barrell, John
Publisher: Cambridge University Press
Binding: Paperback
Pages: 192
Dimensions: 9.70h x 6.80w x 0.40d
Product Weight: 0.9 lbs.
Language: English
ISBN: 9780521276559
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the d cor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
Condition: New
Item# 9780521276559
Actual Book Cover May Vary
Authorized Dealer
Cambridge University Press
The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840
- Regular price
- $37.99
Title: The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840
Author: Barrell, John
Publisher: Cambridge University Press
Binding: Paperback
Pages: 192
Dimensions: 9.70h x 6.80w x 0.40d
Product Weight: 0.9 lbs.
Language: English
ISBN: 9780521276559
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the d cor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
Condition: New
Item# 9780521276559
Actual Book Cover May Vary
Authorized Dealer
- Regular price
- $37.99
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Product Description
Title: The Dark Side of the Landscape: The Rural Poor in English Painting 1730 1840
Author: Barrell, John
Publisher: Cambridge University Press
Binding: Paperback
Pages: 192
Dimensions: 9.70h x 6.80w x 0.40d
Product Weight: 0.9 lbs.
Language: English
ISBN: 9780521276559
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the d cor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
Condition: New
Item# 9780521276559
Actual Book Cover May Vary
Authorized Dealer
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